Take That continuing the very British music tradition of supporting the War Child charity with their KOKO show

It comes as no surprise that tickets for Take That’s highly anticipated and intimate performance at Camden haunt KOKO sold out within minutes. With a smaller venue and the undeniable popularity of the musical act, latecomers were bound to face ticket scarcity this morning.

However, what sets this event apart is the charitable cause it supports—long-standing organisation War Child. Founded in 1993, War Child tirelessly works to provide crucial support, protection, and opportunities to children living in some of the world’s most war-torn regions.

War Child’s unwavering dedication revolves around delivering essential services like education, healthcare, and psychosocial support to help children heal from the profound traumas of war and build a brighter future. They go beyond immediate assistance and advocate for children’s rights, collaborating with local communities and partners to create sustainable solutions.

Through their initiatives, War Child strives to give children the chance to grow, learn, and thrive amidst the devastation of conflict, offering them hope and the opportunity to reclaim their childhood.

What sets War Child apart is not just their noble mission, but also their impeccable taste in music, which has attracted renowned bands to collaborate with the organisation. Acts like Coldplay, Muse, Radiohead, The Killers, Blur, Oasis, Elbow, Biffy Clyro, and The Who have all lent their talents to support War Child’s cause. These artists have not only performed at the organisation’s fundraising concerts but also donated proceeds from album sales, released exclusive tracks, and contributed to charity gigs and events.

By aligning themselves with War Child, these bands have helped raise both funds and awareness, amplifying the voices of those affected by conflict and shining a light on the urgent need for change.

It wasn’t just the music either - big celebrities that were associated with ‘Cool Britannia’ also lent their voices to elevate the awareness of War Child. I distinctly remember an episode of the Big Breakfast one morning when Kate Moss was being interviewed as her boyfriend was strumming a guitar nonchalantly next to her. That boyfriend? Johnny Depp.

Take That’s performance at KOKO is yet another example of War Child’s ability to bring together music enthusiasts and fans in support of their vital work. What may appear to be a captivating concert carries a much deeper meaning—a symbol of solidarity, compassion, and the universal language of music. I can guarantee they’ll keep it rather sombre also.