Two women are due to appear in court charged with criminal damage to the frame of a famous Vincent Van Gogh painting at a London art gallery.
The Metropolitan Police said 28 arrests were made in total in relation to protests in central London on Friday. Of those, 20-year-old Anna Holland, of Westgate Road in Newcastle-upon-Tyne, and Phoebe Plummer, 21, of Elms Road in Clapham, south London, face charges in relation to the painting.
The pair are due before Westminster Magistrates’ Court on Saturday, the Met said.
The incident happened shortly after 11am on Friday (14 October). Footage captured the moment the soup was thrown over the painting, appearing to cover the work and parts of the golden frame.
However it was protected by a glass casing and the National Gallery confirmed it was “unharmed”. Here is all you need to know:
Why did the protesters threw soup at the painting?
Following the incident in which tomato soup was thrown at Sunflowers, which is currently being held at the National Gallery, visitors were then shortly escorted out by security, who then shut the doors to room 43 of the gallery where the painting hangs.
One of the activists, 21-year-old Phoebe Plummer from London, said in front of the painting: “What is worth more, art or life? Is it worth more than food? Worth more than justice? Are you more concerned about the protection of a painting, or the protection of our planet and people? The cost of living crisis is part of the cost of oil crisis.”
The protesters were later seen being put into a police van at the back entrance of the gallery.
The National Gallery said: “At just after 11am this morning two people entered Room 43 of the National Gallery. The pair appeared to glue themselves to the wall adjacent to Van Gogh’s Sunflowers (1888). They also threw a red substance – what appears to be tomato soup – over the painting.
“The room was cleared of visitors and police were called. Officers are now on the scene. There is some minor damage to the frame but the painting is unharmed.”
Friday marked the 14th day of “continuous disruption” by the environmental group, which has also seen protesters block several key roads in the capital. Action is expected to last for more than a month.
What have the police said about the incident?
The Metropolitan Police said: “Officers were rapidly on scene at the National Gallery this morning after two Just Stop Oil protesters threw a substance over a painting and then glued themselves to a wall. Both have been arrested for criminal damage and aggravated trespass. Specialist officers have now un-glued them and they have been taken into custody to a central London police station.”
It was not the only incident involving Just Stop Oil protesters in the capital on Friday. Demonstrators also blocked the road in front of the Metropolitan Police’s headquarters and a sign for New Scotland Yard was covered with yellow paint.
Two women will appear at Westminster Magistrates’ Court on Saturday. Also due to appear at the same court is Lora Johnson, 38, of Keens Lane, Reydon, Southwold in Suffolk.
Johnson is charged with criminal damage to the main sign outside New Scotland Yard. The well-known sign was covered with yellow paint and demonstrators also blocked the road in front of the Metropolitan Police’s headquarters during Just Stop Oil’s action on Friday.
Police made 28 arrests on Friday. The 25 other people have been bailed pending further inquiries, police said.
Have protesters targeted Van Gogh’s works before?
Sunflowers is the second, more famous, Van Gogh painting to be targeted by the group, with two climate activists glueing themselves to his 1889 Peach Trees in Blossom, exhibited at the Courtauld Gallery, at the end of June.
Painted in Arles in the south of France in August 1888, Van Gogh’s painting shows fifteen sunflowers standing in a yellow pot against a yellow background.
The work is also the second from the National Gallery to be selected as a target for protest action by Just Stop Oil, with two supporters glueing themselves to John Constable’s The Hay Wain on 4 July. They had attached their own “reimagined version” to the portrait, before glueing themselves to the frame.
Representatives from the organisation have also targeted a landscape painting by Horatio McCulloch, My Heart’s In The Highlands, in Glasgow’s Kelvingrove Art Gallery and Museum, as well as a 500-year-old copy of Leonardo Da Vinci’s Last Summer in London’s Royal Academy.